Wednesday, April 12, 2006

LEMUR: League of Electronic Musical Urban Robots

LEMUR: League of Electronic Musical Urban Robots:
Img M356
A couple MAKE readers sent in this robot orchestra, looks great - if you're in the DC area, check it out and let us know about it! - "LEMUR is currently engaged in its largest fabrication project to-date, creating custom robotics for George Antheil's "Ballet mecanique," which will be performed from March 12 to 29, 2006 at the National Gallery of Art, Washington DC. The installation of an all-mechanical Ballet mecanique orchestra is being presented in conjunction with the National Gallery's major exhibition on Dada. Antheil's amazing 1924 composition was originally written for three xylophones, four bass drums, tam-tam, two pianists, seven (or so) electric bells, a siren, three airplane propellers and sixteen synchronized player pianos. It is the first time in history that an all-mechanical version of "Ballet mecanique" is being performed." - Link.
Related:
"BALLET MECANIQUE" - Link.
The director of LEMUR is a friend, Eric Singer, author of some amazing Max/MSP objects and many other things of interest. You can also check out Eric's Site

via Make Magazine

Tuesday, April 04, 2006

How-To: Theater or studio acoustic treatments

How-To: Theater or studio acoustic treatments:
Filed under: ,

Have you been yelled at for watching
your latest Superbit DVD "too loud" by your mom / dad / child / spouse / neighbor? Tired of having the
Tiki-bar TV guys next door in the background of your podcast recording
session
? In today's how-to we cover tricks to improve your room acoustics for better listening or recording
pleasure. Yeah, we know it may seem a little esoteric -- and our own Engadget Podcast could probably take a hint here
-- but you'd be surprised at how nice some peace n' quiet actually is.

Treating a room to improve its acoustic properties is a combination of art and science, especially for the
home acoustic engineer on a budget. With an unlimited budget, a room can be double walled and covered in commercial
acoustic paneling. When trying to improve the acoustics of an existing room, whether for listening pleasure or anger
prevention, a smaller budget is more of a challenge.

Every room has different challenges, but if you're
building your podcasting studio or improving your home theater the same problems need to be solved. Sound transmission
into and from the room needs to be reduced and the room's acoustics are probably less than ideal.

'Acoustic
isolation' is trying to reduce sound transmission out of the room. Improving internal acoustics is a matter of reducing
sound reverberation. Completely eliminating reverb is not always desired. Even with today's sound processing
technology, concert halls are still designed to use natural reverberation to improve sound for live performances.

For today's how-to we're making treatments for an unfinished basement. Finishing out the basement isn't an
option at this house, so everything we do needs to be removable when we move out. Our home theater area has a concrete
floor, two concrete walls, and two 'walls' that are open. Every surface needs some sort of acoustic treatment.
Often the simplest solution is
one of the best. To keep excessive sound from going upstairs, we hung acoustic ceiling tile on the floor studs. Ceiling
tile is easy to get and has acoustic ratings. Basic ceiling tile is pretty inexpensive. For about $60 in ceiling tile,
we covered the entire ceiling of our home theater area. Rather than hang the tile with a drop frame, we screwed it
directly to the floor joists. When we move out, a quick session with the cordless drill will take these down. The tile
is pretty fragile, so using washers on the screw heads is advised. For the floor, a thick wool rug makes a great sound
damper.

There are plenty of commercial
products for sound treatment. Our temporary install is on a budget, so we built some simple portable acoustic panels to
help reduce sound transmission and reverb.

To make your own, you'll need the following:
  • 3-1/2 inch thick 15 inch wide rolled fiberglass insulation
  • Polyester batting
  • Lightweight
    fabric
  • 1-inch by 3-inch pine boards
  • 4-foot by 8-foot 3/16-inch lauan or plywood
    board
  • Liquid nails adhesive
  • Tools: saw, hammer, sharp scissors, staple gun.
Dow Corning R-13 insulation runs
about $10 a roll. It's made to go between wall studs, so it's 15 inches wide. One roll should be enough to make eight
to ten panels.

To make five panels, we need ten 48-inch 1x3s,
and ten 15-inch 1x3 pieces for a total of seven 8-foot 1x3-inch boards. It's important to get boards that aren't
warped. These boards are pretty thin, so it will be fairly annoying but worth the effort. Look down each board from the
end to see how warped the board is.

To keep it light and inexpensive, we used lauan
plywood made for floor backing. These panels have a smooth finish and are cheap. A four foot by eight foot panel runs
about $10.

Just about every hardware store that sells
lumber has a panel saw. Save yourself some pain and have them slice the four by eight lauan into 48 inch by 16.5-inch
pieces. Most stores don't guarantee their measurements, so keep an eye on them to make sure they get them close enough.
Luckily, the cuts don't have to be perfect.

We picked up this not so stylish green fabric
off the wally world clearance shelf for $1 a yard.

We cut our 1x3s down using our handy miter
saw. Ten 15 inch cuts for then ends and ten 48 inch cuts for the sides.

Nailing the
frames together goes quickly. Start with one side, then locate the other side using the 15-inch end pieces to get the
spacing correct. Then add the ends last. Finally a couple nails at each corner help connect it all. Wood glue is
optional.

Lay the fiberglass out over the frame
and cut it to fit. We tried a utility knife first, but scissors worked best. A bit of liquid nails adhesive under each
end will keep the fiberglass in position.

We laid out polyester batting over the
frame, and cut it with excess to cover the edges of the panels.

We wrapped
the whole thing in fabric and stapled the edges. A quick trim and the panel is completed.

To hang our panels, we used some cheap brass
hooks at the topmost corners of the panel. These won't take much abuse, but they'll do the job.

Our row of sound panels hung up in the
basement. We're still playing around with the spacing, but they definitely improved the acoustics in the room. If
you're not into hanging them, add some hinges and you can make a nifty sound barrier disguised as a changing screen.

[via Engadget]

Dualing Reviews of Lemur Multi-Touch Control Surface

Dualing Reviews of Lemur Multi-Touch Control Surface:
The Lemur multi-touch touchscreen controller is the rare kind of product that breaks entirely from convention, raising fundamental questions about how we make music. It's comforting in a way, then, to see disagreement about just how well the finished product works. After over a year of buzz, detailed in-practice reviews of the Lemur are emerging, including my review for Keyboard Magazine, and Jonathan Segel's review for Electronic Musician. The two reviews reach somewhat different conclusions. Neither review gives an unqualified endorsement, but both see promise in the device -- just different promise. And I have to ask a question: are physical controls like knobs really as limited as people seem to assume?

.

from createdigitalmusic.com

Alex